it was a little bit quite around the wirrwarr label in the last few years, as the boys focused on other projects like building up an bookingagency, a 2nd recordshop, new labels and for sure producing new music. now they are back with some fresh and crazy minimal techno tracks. on a1 we have mr. wigbert with his first appeareance on wirrwarr, a2 comes from labelhead locke in cooperation with mc shaver. b1 is a freaky brain damaging minimal monster by matt star. and last but not least b2 called *piano*, a old but still fresh sounding work of locke. freak out!

towards distance - embarking upon a journey into the unknown, where only the journey is the reward – not the destination. a road trip into distance. towards the horizon. getting in motion and never standing still.
180 gram double vinyl in gatefold sleeve.

the very first release is by montreal based artist, stefny winter who emerges here with a wonderfully crafted tuned project. slightly stripped down but at the same time, providing a low end, fizzle bass, winter pushes hypnotic rhythms with a not so subtle smirk. a wink to audion, or a perlonesque aesthetic, this ep ensues a groovy moment as well as heartily groove.

its about time to invite on material-board the italian dons: supernova! 1sided track.. proper tune! not to be missed.

there are things in life which are suitable and things in life which aren t suitable. the things which are suitable should be ignored and left for those who enjoyed being tucked into bed and being walked across the street with their hands being held. the things which aren t suitable are what you will probably have some fun with despite the bumps and bruises suffered as a result. the suitable nature of the unsuitability of the following cheek full of tongue provided by scott robinson, ben pest, nox, and norman mueller will hopefully not cause any permanent damage along the way.

keep the groove on is an atmospheric electrohouse track that builds the whole way through his several breakdowns flip over for the very atmospheric cellar door with its cool acidic flavour and huge synth riffs not to be missed

drums are rollin , chords evolve and the bass just sits there, right where it belongs - gorge is back! the label-head returns to 8bit with three new tracks to give your sets that extra spice of deep. although sharing the same vibe and quality, each production stands out on it’s own through individual elements and dynamic arrangements. azuka ep is a timeless clubbanger and perfect fit for any tech-djs collection, enjoy. supporter: anja schneider, sidney charles, mihai popoviciu, oliver koletzki, noir, daniel stefanik, felix da housecat, dubfire, reboot, sasha, jimpster, leon, richie hawtin, hot since 82, joseph capriati, matthias tanzmann, nick curly

sam kdc returns with perhaps his most unique release to date. four tracks that well and truly blur the lines between many genres, while keeping the tempo steady at 85/170 bpm. immolate kicks off proceedings, with its ethnic vocal chant and tripping kick drums. eerie vibes from start to finish. moving on to the frantic navigation to nowhere, which opens with an ominous arp and frenetic kick drums build up to an uneasy acid lead. flip side opens with vessel, which keeps the atmosphere dark and introduces techno sensibilities to the fold. finally, purgatory wraps things up with yet another frenzied climax. the order & the entity is a rewarding listen offering something truly unique. we guarantee you will not have heard music like this anywhere else!

massive two tracker from jonny miller on his 2nd edits release on kat.what you did is quite simply a whopper! disco music as god intended it - arms aloft, eyes shut, inhibitions nowhere to be seen, smiles bigger than life itself. what we have here is not an edit as such but a reworking of chaka khans what you did, subtly housed up, re-arranged, chopped, fil-tered and re-mastered within an inch of its life - chaka herself pretty much always sounds in-credible but here the vocal just seems to stand even taller than usual. on the other side we have something in which some of our slightly older party folk may well recognise. dionnes house classic from 88 gets the full edit treatment and the timing on this just seems so right. originally released on the ace bigshot label out of canada (and was just huge in the hacienda), re-mastered, stretched out, re-arranged and making the most out of all those old school stabs, ploddy bass lines and timeless vocals.

alma negra is not only a mountain in the cordillera de la ramada range of the andes mountains, it is also a collective who are based in basel, switzerland. the collective is made up of miajica, dario rohrbach & dersu figueria. they are passionate diggers who loves playing music from all over the world & had their debut last year on the infamous sofrito label with heavy edits from the islands of cabo verde. this release on basic fingers is unique in every way, the keyword of this ep is rhythm. the trio has created something truly imaginative, captivating, and capable of tingling every muscle in your body. three wonderfully inventive & accessible tracks & another basic fingers sureshot.

chicagos trax records has gone down in history as being one of, if not the most important house labels.

chaise longue aka slikk tim delivers a fantastic deep cut with early deep house sound reminiscence of early guidance recordings, beautiful keys, deep baseline and a live guitar. bittersuite - straight up late night house music, deep and emotional pads with amazing keys, perfect track to complete the side side b delivers a exceptional track by a secret artist - not much needs to be said, just check the track & your understand what its all about. js gruvs is new guy from the french department, his track is deep groovy late night grover, accompanied by soulful keys and old school baseline, quality track - deep for the heads

time now for something a little different! farley jackmaster keiths x-rated jackmaster dick alias is in effect right here with the * sensuous woman goes disco*, essentially a cut-up of jesse saunders * funk u up* and the comedian rudy ray moores > the sensuous black woman meets the sensuous black man< this record takes no prisoners! a solid proto-ghetto house classic it is not for the faint hearted or the easily offended! take heed though, it will make you dance!
re-mastered, re-pressed and re-issued in conjunction with trax records.

brash and rawkus house from japan. new comer on crowdspacer from japan, keita sano already released a few tracks on the amazing mr saturday night label. for crowdspacer, he came up with super twisted dirty techno. kung fu dog is like bruce lee making beats on cassette tape. red clay is like atomic power waves. and one punch is like godzilla stepping on your toe. not for the faint hearted.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats, the driving grooves, but not always the melodic universes. leman & dieckmann have been making music for several years, both together and apart, but almost all of their music was driven mainly by the beat. but both having an urge to discover the dynamics of melodic synths and melodic percussion they decided to make an album. they agreed that the album had to tell a story, and like so many times before in music the topic became love. the story they try to tell through the music on the album *takes two* is the story of a breakup, the denial of the need of love, and the discover of the fact that often in life it takes two, to be happy.

wargames is back, this time on 12 format for maximum impact. four new tracks coming in from the dark lord of the weird, do not weep for those who are not prepared

there are lots of producers out there who try really hard to do something else. then, there are these chosen few artists that effortlessly are something else in their own right. durian brothers and their magical array of modified turntables, sequencers and machines belong in this selected circle. so this mini album is a quite special and unconventional release, but that doesnt mean its not dance music - quite the opposite!

supplying us with a vast array of sounds and textures, deep site recordings vinyl imprint gives us the *honey bunny ep* from the very talented producer and dj, jesus gonsev hailing from real, spain. with a wide discography from labels such as peppermint jam, prog city, house cafe music, gastspiel and tenor recordings, not to mention his own imprint, the highly respected troubled kids records mr. gonsev shows us what he is all about with this 4-track ep.

after taking a short break house of disco records are back with a purpose. not content with the adding to the plethora of disco edit labels representing the genre they have opted to walk a more distinct path, determined to lean on originals or clever sampling as opposed to outright re-rubs. in this their twelfth release they recruit previous label-mate harry wolfman and compadre skinny love to provide three stunning dancefloor ready originals. the duo have certainly delivered on the brief and turned in three diverse and clever takes on what a modern disco track with a house soul can represent. on remix duties they have recruited a promising young producer kickflip mike, who has released on box aus holz as joschka seibt and paired him with experienced disco merchant the revenge who is responsible for some of the best remixes we know of, and he doesnt disappoint here with either remix.

3rd release , comes with tracks from adam collins , darren haris, hinode

roberto bosco has selected in recent months kinys music, to better prepare his first 12 inch, consisting of four tracks, named *damaged memory*. the track *unknown* (a1) leads off the dance of the release on last drop records imprint. it is a proper exploration in an unknown sonic territory to most of the people, and also a difficult element to make out for those who are novice to the visionary component in the musical poetic of kiny. the track starts with rounds of recurring sirens, almost deafening, framed by dark and ghostly noises. something not easily identifiable, ambiguous and unknown, as the title itself says, is perceptible in its sound. all this helps to shape a bad presage that fades away into the mystery.

dense & pika return to hotflush with their first original material since last year s smash, colt . meanwhile they issued a chart-topping remix of paul woolford s erotic discourse with a signature bombast that carries over into the present klank ep. six tracks leave plenty of room for variety, however, from the toecap shuffle of the eponymous lead track to bad ink s melodic grand designs, through slacker s binary jack and the pared-down house groove that is slowhand , not to mention the aquatic depths explored by wandering hands , we see dense & pika s muscles at full flex.

after debuting on no.19 music in 2012 with his still excellent *so good ep*, mexa records boss and serious mexican house talent louie fresco is back on the label with a brand new release, arabian sexcapade. this single is the second off his forthcoming full length album, due for release on no.19 music in may and comes backed with not one but two remixes from house godfather dennis ferrer, plus one from highly respected duo frank & tony aka francis harris and anthony collins.

birgan is an recording artist from rome /italy. there is not much known about him. his original >essia< is an analog production with bits of symphonic sounding sounds interaction with the much louder spheric bubbles of sound. the remix comes from the echologist aka brendon moeller known fro his releases worldwide. he leaves his traces of acid in a remix that builds up the tension while he plays. using repetition and constant changes on another level he manages to keep the remix soulful.

not content with a rich back catalogue of releases under a plethora of monikers such as dabrye, jtc and charles manier spanning multiple genres on labels such as ghostly and rephlex to name a few, 2014 seemed like the right time to create an imprint with the aim of releasing the rich flood of music that flows forth from tadd mullinix.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats and the driving grooves

insmonia is the new project that mihalis & cj will run. so this is the point where everything start! amazing rave beats with a demarzo remix. not to be missed!

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
not one to overstate the obvious, the disco scene is fairly obsessed with the cosmos. whiskey disco #31, offers four more reasons to space dance! hristo sets course for the stars with x-otic love, an unhinged and epic ride from funky start to euphoric end. next up is enigmatic editor, satisfaction, love & passions edit, dance (dance, dance), a cut sent to us under the veil of night with no return address. for the return, we cruise towards home with detroits rising star, pontchartrain as he guides us through some lesser known italo-influenced, synth heavy and floor packing reworks, be my lover + dance with me.

get a first glimpse into the musical mind of henry gilles. on their 7th offering public possession proudly presents to you another munich local: this is the first part of collected works henry has gathered over the past three years, with the second soon to come. we are very happy to share these tracks with you as we think henry is one of the most interesting young producers out there. whilst this release is musically leaning towards house and disco you can expect a wide range of different styles in the near future, ranging from hip hop to downbeat and further.

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench.

after one year from the foundation of arts, label boss emmanuel focused on giving space for all the other sonic artists that he found on his road. he is back to give directives for the label, and give more sonic spectrum for the people. mentality is the result of a long process, it focus on mechanical quality and precision, scenario is a picture of something you do not know, but would like to see.

enter the spiral - the title of the opening track by the first collaborative work between sebastian mullaert and eitan reiter is not just a random name. it is a title which anticipates what can happen if you let yourself go alongside their nine epic musical trips

this time an unique colab ep on flatlife. supersonic bass is a fresh happy feeling acid techno track which is created by sterling moss & jack wax in london, uk. the wipeouts (chris liberator, aaron liberator & sterling moss) forces of anarchy is already a huge classic in the acid techno scene! with the beautiful special artwork from damnrijt this ep is not-to-miss !! get this one - before its sold out!

indeed, everything is permissible if god does not exist, and man is consequently abandoned, for he cannot find anything to rely on - neither within nor without. first, he finds there are no excuses. for if it is true that existence precedes essence, we can never explain our actions by reference to a given and immutable human nature. in other words, there is no determinism - man is free, man is freedom. if, however, god does not exist, we will encounter no values or orders that can legitimize our conduct. thus, we have neither behind us, nor before us, in the luminous realm of values, any means of justification or excuse. we are left alone and without excuse. that is what i mean when i say that man is condemned to be free: condemned, because he did not create himself, yet nonetheless free, because once cast in to the world, he is responsible for everything he does.

definition:music have only gone and done it again! this time around, the swiss label strikes another home run thanks to the emerging but inimitable talents of dene antony, a much heralded and talked about british native whos already lined out for the likes of love not money and undertechnical.

emotional rescue takes a look towards the dancefloor sounds of britain underground 80s electronic synth-pop scene for their next release. from dallas infamous ecstacy fueled starck club to the le palace in paris, it was such music that while not gaining wider pop recognition, become classics of their time and the secret finds for today s djs.

coming from the darkest depths of the south american jungle but raised in the city of utrecht in holland, julian alexander is a name that might not have fallen on many ears as yet but we guarantee you ll be hearing a lot of this 18 yr old powerhouse in the future. with a background in jazz and a trained multi instrumentalist, exploring hip hop and underground house and uk garage, julian soon started to craft a unique style and put his own slap and funk into the mix. focusing on a deep powerful sound with plenty of pound he quickly caught our attention as his meaty, stripped down minimalism explores an even darker chamber of the dungeon . julian s hustlin ep delivers the kind of tracks that keep the floor moving, essential tools that can be the perfect transition or the spark that lights the fuse on on the dance floor. can you believe he made the track undrg at the ripe old age of 16 years old. it really blows our minds to think he made it 2 years ago and it still sounds fresh and futuristic. as with all our releases these jams are tried and tested and proved to be very useful for building the tension and getting those fist pumping. their solid, track, bass heavy vibe will have no problem bothering even the biggest bass bins

limited pressing : 150 copies on yellow vinyl, on not for digital markets : vinyl only

remastered re-issue of the 4th album by s.o.s. band, originally released in 1983. pressing on coloured 180 gram vinyl, download code included.

limited collectors item : this is a cassette / tape (not a vinyl)

it is done. k.o. the stickiness kreeps out of the studio window. all inspiration is bundled. what stays is the trash on the carpet, the coffee cups and a last sunbeam, which is entering the scene on that late summer day. two guys knocking with theirs feet on the floor. you see them smile. the first album of kollektiv ost is ready to enter the club.

while industrial and ebm seem to be words buzzing around the media today, not too many artists associated with these words seem to be truly delivering. tzusing, who resides in shanghai has been a student of the game through the years, and has strived to execute his take on these sounds and does so with shining results. this four track ep is a testament to him transforming the metal beat into a sound of his own and running wild without limits. dont miss this!

vin sol & matrixxman open up their label, soo wavey, to newcomer en who drops this 4 track ep (including a remix by vin sol & matrixxman) of house and techno. the lead track truth steps out of the gates swinging with aggressive yet tucked tr-909 programming sitting nicely alongside dark motifs. ens and reality then delves into menacing minimal drone techno territory, ultimately yielding to a subtle call and response exchange among dueling 808 tom bass lines. on the flip side, 4u lighten things up a tad with soulful, atmospheric detroit chords supplying a much needed breath of fresh air. last but not least, vin sol and matrixxman join in on the fun supplying a hypnotic, off kilter reworking of 4u imbuing the remix with restrained chicago jacking vibes that flawlessly straddle the divide between house and techno. limited to 500 copies (no repress!).

the love for music and vinyl were not only crucial factors that marius lehnert has established itself as a dj, but they are still the basics. through his residency at the infamous club rocker 33 stuttgart marius has received the first major attention. his last release on blufin got a big hype, not only becuase oft he remixes by egbert and fairmont. after a few releases more from marius lehnert he strated to produce with its buddy marc shepherd, first just for fun. but this 2 tracks made it on the new ep investigation of cavity, this time with a superb remix by roland m. dill.

new series from the giant cuts crew focusing on proto / disco not disco vibes. 3 classics get the dancefloor treatment for late night / early morning dancing.

1. korrupt data is a voyager from a place beyond the stars, communicating via the medium of electronic music.
2. korrupt data takes korrupt data seriously.
3. korrupt data always refers to korrupt data in the third person.
4. confusingly, korrupt data is also the debut album by korrupt data. we didnt really think this through.
5. korrupt data is not who you think it is.

huge d e l a n o s m i t h remix
negghead and lex wolf form acid mondays and together the two have released music with 20:20 vision, circus, deep vibes and illusion recordings. illusion give acid mondays the full treatment after the duos salvia sessions 12inch from last year sold out almost instantly. smith, who appeared on the original 12inch, provides an additional unreleased remix while deepblak label head aybees reshuffles the original, burying it deep in chords and reflective vocal delays. not to miss out on the production action acid mondays provide their own east end dub to watching eastwood and invite z records producer dan goldman to play keys over the top as jd73.

archeo recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of italian music of the 70s and 80s, and not only. all outputs are licensed by the artists and the vintage labels, audio tracks are remastered in their original form the sleeves and center labels are graphically recreated for today but all based on the original images. archeo would like to make the music available to a wider audience of collectors, djs, music lovers of a forgotten time.

since signing to hospital records in october 2012, metrik finally arrives with his long-awaited debut album *universal language*, and believe us, it does not disappoint. having already built a reputation as one of the hottest stars in d+b, he delivers an eclectic blend of anthemic and euphoric tracks to showcase his musically expansive sound.